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Reviews
5 stars. “The story may not be new, but it’s one that deserves retelling, and Alex Gibney (Taxi to the Dark Side) tells it with the force and cogency of a John le Carré conspiracy thriller”
4 stars. “Mea Maxima Culpa offers a wealth of shame-making facts and details regarding the Holy See. The results are engrossing and often devastating”
4 stars. “That it’s uncomfortable, unpleasant and infuriating is only a reflection of how superbly Alex Gibney has constructed his documentary about child abuse in the Catholic Church and the lack of action to stop it. A horrifying story, boldly told.”
4 stars. “Academy Award-winning documentary director Gibney crafts a distinct study of clerical abuse. His use of personal testimony by men abused by the priest Lawrence Murphy at St John’s School for the Deaf in St Francis, Wisconsin from the 1950s to the 1970s is direct and harrowing and brings the concept of abuse to a very personal level that resonates powerfully with the viewer.”
4 stars. “The case has been widely reported but this is still an important film, laying out who knew what, and when. It’s chilling: the conspiracy of silence goes all the way to the Vatican”
4 stars. “Gibney then embarks on a journey to examine the refusal of the church to adequately investigate or prosecute Murphy’s abuse, while also simultaneously retracing the prominent history of abuse in the church, and cover-ups and denials by the church hierarchy.The approach of detailing clerical abuse on a micro and macro level works expertly, as it gives a very complete background to this shocking crime, as well as highlighting one particular example of how children have been detrimentally affected by a specific case in the past.”
4 stars. “The film shocks you to the marrow, and every frame burns with a righteous fire, itself religious in its intensity.”
5 stars. “Gibney deals with a delicate subject matter gently and with integrity. Here’s hoping this documentary becomes another stone thrown at the Catholic Church to finally make them take responsibility and start the necessary changes in an outdated and bourgeois organization. A must see documentary, beautifully and respectfully made.”
“Gibney’s most successful and rich work since Taxi To The Dark Side, Mea Maxima Culpa ultimately proves most successful in the way it balances public scandal with a tribute to human frailty and heroism”
“Successfully balancing the intimate stories of the deaf men with a wider, investigative expose of global proportions, Gibney has made a powerful and affecting film, which could galvanize audiences, both theatrically in limited release as well as TV outlets around the world.”
“Their words are interpreted by well-known actors, including John Slattery, Jamey Sheridan, Chris Cooper and Ethan Hawke. The way Mr. Gibney films them, against dark backgrounds with soft, indirect light, emphasizes the expressivity of their faces and hands, and will remind hearing viewers of the richness and eloquence of American Sign Language. It is no accident that the last words signed in the film are “Deaf Power.” Much as it is a grim chronicle of violation and denial, “Mea Maxima Culpa” is also, less overtly but no less importantly, a chapter in the history of the disability rights movement.”
“Even though Mea Maxima Culpa can be incredibly sad and frustrating, the film is able to go beyond the tragedy of these boys’ lost childhoods, using that empathy to incite anger, impatience and action in its audience. The lack of answers or rectification for the victims and the church’s attitude of omnipotence and turning a blind eye is enough to move even the most passive viewer to action. And it is exactly that persuasive power that makes Mea Maxima Culpa a great documentary.”
“4 stars. Gibney’s documentary is a fascinating one.”
“B+. By turns moving, absorbing and downright rage-inducing, “Mea Maxima Culpa: Silence in the House of God” is celebrated documentarian Alex Gibney’s account of sexual abuse in St John’s School for the Deaf in Milwaukee during the ’60s and ’70s, which he then uses as a launchpad to follow the chain of culpability up the hierarchy of the Catholic Church right to the Vatican and the Papacy itself. As topics go, it doesn’t get much more incendiary, but Gibney’s (“Taxi to the Dark Side,” “Enron: The Smartest Guys in the Room”) native intelligence and tendency to (mostly) downplay, means the film emerges as much more than the torch-and-pitchfork affair it could have been.”
“Alex Gibney (Taxi To The Dark Side, Enron: The Smartest Guys In The Room) is masterful at weaving archive footage, dramatised reconstruction, investigative reporting and moving testimony into a riveting narrative of conspiracy. “
